Title:
Drive By ~ Shards & Poems
By:
John Bennett
Genre: Poetry &
Flash Fiction/Non-Fiction, Trade Paper
Publisher: Lummox Press (PO Box 5301 San Pedro, CA 90733-5301)
www.lummoxpress.com
Pages: 140
ISBN: 978-1-929878-09-3
Publishing Date: February 2010
Retail: $15 + shipping
To pay by Money Order/cash, choose appropriate amount and make
check out to Lummox
and send to Lummox Press c/o PO Box 5301 San Pedro, CA 90733
See the Drive By Promotional Video
John Bennett, a scallywag by profession, a window washer by default has been laboring in the Small Press ever since the days when the Mimeograph was king. He is of that ilk of poets that "have already created their own tradition, their own press, and their own public." (From Jack Foley's Visions and Affiliations: a California Literary Timeline of Poets and Poetry 1940-2005; quote by Donald Allen) - which is to say that John has been at this for an awfully long time and yet he manages to stay fresh and ahead of his peers though they are often much younger. He is a widely published writer with over thirty books to his name, half as many anthologies; and was the publisher of Vagabond Press (with an amazing list of titles under its' belt) and is now associated with Hcolom Press. A complete list of his literary exploits may be seen at Rychard Denner's Berkeley Daze.
Comments:
John
Bennett-- a great writer of no category--as if the soul and brain and heart and
balls of jack kerouac, maurice blanchot, paul valery and elsa lasker-schiller
were reincarnated as one. But even that constellation won't describe the
ineffable rise of the authority of his moral center, lifting like a central
valley tule fog burning off into some golden angel of sun rushing across/toward
the indescribable clownface of history.
Edward Mycue, poet, San Francisco
"The thing that continually fascinates me about your writing is the trueness of it: not just a 'write what you know' kind of trueness, but a permanently immediate truth, something you could put in a time capsule and it would still be just fine in a thousand years."
Liz Druitt
"John Bennett never fucks around and has sensitive, frank, disturbing things to say... he fills in the chinks in poetry-culture where the mice and owls live."
EXQUISITE CORPSE Magazine
Here are a few poems and a shard from the book...
Smoke & Mirrors
The world is
going to hell
in a
hand basket &
people sneer
at me
for smoking
like somehow
I'm to
blame.
Crazy John Bennett
Back in the
day I was
known by a
certain bar crowd
as
crazy John Bennett.
I would
walk into the
Corner Stone Tavern
on a
quiet afternoon &
a cheer would
go up from
the regulars.
They knew that
before the
night was over
I'd be
biting the
heads off
chickens.
I tried
changing my name
to Jabony Welter,
but things
stayed
pretty much
the same.
Taps
He blew the bugle
at 4 a.m.
for the
company to
fall out in
formation
because his
days were
growing short &
he wanted to
march his men
down the
back alley
of time
for all the
world to see.
But no more than
thirty men
came out
of the barracks,
half of them
still in
pajamas &
slippers &
only three
carrying rifles.
His life's
soldiers were
reluctant to
gather all in
one place.
They'd never
done it before
so why now?
They were
specialists
in cognito,
they liked to
infiltrate &
play possum &
when the time was right
torch the city
steal the silver
& run.
The only time
they ever did
real fighting
was when
they were
backed into a
corner.
Then they were
as ferocious as
Greeks.
How many times
had the
enemy wheeled a
Trojan Horse
up to the gate &
they set it
on fire with arrows?
How many times
had they
slipped through the
ranks of some
golden-haired Custer
like Ninjas?
They held things
for ransom
no one knew
they were missing.
They reenlisted
time &
again to
carry his
sorry ass
through to the
armistice.
& now that they
were finally there
he wants them to
go on parade.
Choked with emotion
he blows the
bugle again,
blows it
like Gabriel
like Miles Davis
like Chet Baker,
& the troops
still inside
lean out the
windows &
listen.
All My Friends Are Going to Be Strangers
They're always on the move, they're in Saint Petersburg and then off they go to Stockholm. Some stay in 5-star hotels, others in tents, but they all take pictures with their cell phones and send them to each other email.
I used to sneer at people taking pictures with cell phones, but now I too have a cell phone that takes pictures. For weeks I took pictures of everything under the sun and the phone gobbled them up. Then a young girl who’s flunking high-school English, sweet and soft-spoken, murmured, "Could I see it for a second?"
I didn't understand why she was flunking English, she spoke it perfectly fine. I handed her my phone and in nothing flat there were all the pictures I though were lost, lined up and labeled in sequential order.
"Well will you look at that!" I said.
She smiled. "Would you like to put them on your computer so you can send them to your friends?" she asked.
"Yes!" I said. "That would be great!" Here was a window of opportunity, a chance to redeem myself with my friends in Paris and Rome and the few still in Saint Petersburg--they'd been steadily sending me cell-phone pictures, but when I didn't reciprocate, the number of pictures tapered off, and then the emails themselves began to dwindle.
"Do you have Bluetooth?" asked the girl.
"I beg your pardon?" I said. I thought maybe my breath was bad or that my teeth were changing color. I was afraid that now she wouldn't help me get back in touch with my friends.
"On your computer, I mean," she said. "You have it on your cell phone--see?" She pushed some buttons and brought up an icon. "Is your computer on?" she said. "Do you mind?"
She sat down at my computer and with a few clicks brought up the same icon that was on my cell phone.
And then she did something that drove it home to me like a spike through a vampire's heart that I was cut off not from one world but two--the world I was born into and this world that had replaced it. And that in between the two there must have been another, a transitional world that I missed completely. She punched in a series of commands on the cell phone, and the pictures I'd taken began appearing on the computer.
"There," she said, when she was done. "Now you can send them to your friends."
They were meaningless pictures, the product of someone fumbling with a technology beyond his grasp. But I sent them anyway, and gradually my friends began emailing again, asking cautiously if I had any travel plans.